For decades, writers have faced limited choices: go the traditional route with a publishing house or self-publish. Both paths come with their pros and cons. Traditional publishers offer prestige, marketing, and distribution power but often take control over an author’s creative work, and only pay a fraction of the royalties. Self-publishing offers full creative control and higher royalties but can leave authors isolated, without the support needed to professionally package and market their books. Recently, a new path has been emerging: hybrid publishing and cooperative publishing, or what could be considered “Door #3.”
Hybrid Publishing: A Blend of Independence and Support
Hybrid publishing offers a middle ground between traditional and self-publishing. It allows authors to retain control over their work while receiving professional publishing services like editing, cover design, and marketing. These services come at a cost to authors but the financial risk up front is designed to be balanced by the potential to earn higher royalties- compared to traditional deals.
Librinova, for example, is hybrid publisher that offers authors packages to help with publishing and marketing. If a book sells more than 1,000 copies, the company actively works to secure a traditional publishing deal for the author.
It’s no surprise why this blend of autonomy and professional support is attractive to writers who want the best of both worlds. However, hybrid publishing is not without its challenges. The financial investment can be substantial, and not all hybrid publishers are selective, which means quality can sometimes be a concern.
But with the right research and the right publisher, hybrid publishing can provide a way for writers to access services traditionally exclusive to big publishing houses while handing onto more creative and financial control.
Cooperative Publishing: Community and Creativity
Another intriguing alternative is cooperative publishing. In a co-op model, authors band together, pooling resources to get their books out into the world. This system often allows for more flexibility and attention to each project; as co-ops tend to focus on niche genres or less mainstream topics that might not appeal to traditional publishers.
Co-op publishers can act as gatekeepers working to ensure quality while providing a supportive environment for authors. C.P. Lesley, from Five Directions Press, describes how co-op publishing allows authors to publish books that may not be commercially viable but are still high quality and worth bringing to readers. The focus is on creating strong work and building a loyal readership.
In cooperative models, authors often handle aspects like marketing, distribution, and even cover design themselves, though they receive support from other members of the co-op. This collaborative environment helps authors feel more empowered in the process while benefiting from the shared expertise of the group.
Why “Door #3” Matters
The rise of hybrid and co-op publishing reflects a broader shift in the industry. They also offer readers something different—books that may not fit neatly into mass-market categories but are nevertheless worth reading.
For many, the appeal of “Door #3” is the balance it strikes between the creative freedom of self-publishing and the support network of traditional publishing. Writers can focus on producing their best work without the fear of losing control or being bound by a contract that only benefits the publisher. As more authors turn to these models and traditional publishers continue to be increasingly risk-averse, the publishing landscape will likely continue to diversify.
In the evolving world of publishing offering more choices for both writers and readers, might just be the answer for those who want to break free from the traditional constraints while maintaining the high quality.
An avid book reader and proud library card holder, Angela is new to the world of e-Readers. She has a background in education, emergency response, fitness, loves to be in nature, traveling and exploring. With an honours science degree in anthropology, Angela also studied writing after graduation. She has contributed work to The London Free Press, The Gazette, The Londoner, Best Version Media, Lifeliner, and Citymedia.ca.
